In this poem, Vineeta portrays the deep ethnic divide between the two communities post-partition. Earlier, there was no such clash – an exclusive for Different Truths.
the pot of water he’d left behind in Lahore. This was1942. He was 11, one of the six Hindu boys in a class of eighteen other Muslim students. They shared everything- books, pencils, tiffins… only the water container was separate for each religion. No one ever touched the other’s vessel. Or the doya used to draw out the water from the earthen container. No mischief, no evil, no vandalism. Respect was the keyword. There was unity in this separateness. The pots sat quietly like grass beneath the feet. Undisturbed. Unlike post-partition, when provocations formed the hard carapace of religion. He remembers the tranquil water pots of his classroom – resting on a common plank, side by side, quenching thirst. Nothing else.
Doya: Long ladle to extract water from the pot.
Picture design Anumita Roy
Vinita is the author of five books of poems. Her latest collection, The Natural Language of Grief, is the winner of the Proverse Prize 2021. She is the poetry editor of Usawa. She is on the Advisory Board of the Tagore Literary Prize. She is also a part of various initiatives for social justice, like G100 and WICCI.
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