Reading Time: 4 minutes
Basudeb profiles Neelam Saxena Chandra, an emerging important woman novelist of India, in the weekly column, exclusively in Different Truths.
Neelam Saxena Chandra is a versatile and prolific writer. She is a bilingual poet, and an Indian woman novelist in English, short story writer both in Hindi and English and a lyricist. She is a
Later on, she went to London and completed a course in finance from the London School of Economics. An author of three novels, one novelette and five short story collections she earns appreciations from different academic and cultural organizations. She was invited by premier institutes such as SAARC Literary Fest and Sahitya Akademy, etc. for book/poetry reading.
Out of her three novels, In the Flickering of an Eye, is renowned and this novel has been acclaimed by the national and international academia.
Neelam is a Modernist novelist and the narrative technique of her novel is naturalistic like Emile Zola of France and Premchand of our country. Seemingly Premchand tries to be neutral in his delineation. But the water tight compartment between the subjectivity and the objectivity is hardly possible. The novelist subtly leads readers to grow a sense of sympathy towards the sufferers and victims. Emile Zola’sNana is also a case in point in this regard. Neelam’s novel is not a departure from this naturalistic technique. A lot of diverging trends of the twentieth century is found in her In the Flickering of an Eye.
Her novel has the beginning, the middle and the end. It begins with the protagonist standing near the car for his destination. A boy is found near the car. He comes forward and gives a manuscript of his novel to Vinay. He has written a novel on the love story of a promising young boy and a girl. After a brief discussion, Vinay agrees to take and read the manuscript because the love between the two is likely to meet the ‘honour killing’. Both the boy and the girl belong to the same Gotra and their families do not approve of this marriage and in the name of honour, members of both the families would kill them. Vinay then reaches the railway statio
Rohini is a widow. A Nepali gentleman helps her and they enter into wedlock. The man has hotel business and has a huge property. Rohini is reluctant to remarry Vinay at that stage of her life but marathon arguments with Vinay in favour of their marriage and finally he wins over Manju. They go back to Delhi to marry each other there. They reach first Jagadri station and find Anju is at the station to receive them. Anju comes to know that Manu and Vinu are the protagonists of his novel. He also comes to know that they are now married. It is discovered then Vinay and Manju are his bua and fufaji. Anju’s old father is then totally changed and he accepts them heartily. The tragic event that takes place in Vinay and Manju’s life happens precisely to a young boy and a girl belonging to their next generation. Vinay promises to get them married.
©Basudeb Chakraborti
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